Final Animation Project - Pixar parody video

For the final project, our task was to create our own version of the Pixar intro with our names/ nicknames and for the animation video to be around 10 seconds long. Since we learnt all the principles of animation throughout the semester, we were tasked with making this project with the knowledge we gained from those sessions.

I made this Pixar parody from the letters of my nickname ‘Nin’ and the basis of this animated story is on a football pitch. The two ‘N’ letters are on different teams (indicated with the different coloured textures) and as they go onto the field, they end up have a disagreement when introduced to each other. Then they bulk up and attempt to charge at each other, whilst the ‘I’ letter comes down between them to stop them from fighting (as a referee would) and makes them make up before the game starts. After that, a ball drops on the field as they all calm down and the ‘I’ letter jumps up and kicks the ball into the camera’s direction. So, then the ‘N’ letters are amazed by that trick and then they all jump up, aligning together to make the ‘NIN’ in the air. I thought of this little story because I enjoyed playing football with my friends in high school and sometimes there would be fights where a teacher would have to break it up, thus the animation being like an anecdote of my past.

The story seems to be quite simple and straight forward, with the textures and the football used to aid the appeal of the characters in the scenario appropriately. The movements are quite slow at first for the audience to realise what is happening and then they gradually get faster as they attempt to fight and when the other letter stops them. I used the motion tracker to help to make the jump flip look accurate from the camera’s perspective and I also made sure that the jumps were believable by making sure the letters squashed according to the distance of the jump.  I feel like I have considered the different principles to produce this short animation well and that I have spread out the key frames evenly through the 12 seconds of the clip. This animation could have been easily improved by making the letters rotate back and forth as they jumped to make it look more realistic and when the ‘N’ letters met, I could have made them bump into each other to make the altercation clearer. But, I believe that the work I have produced for this final project is very good because the animation is short and simple so I didn’t need to overcomplicate everything and I was able to use the knowledge I had gained to think of the things I knew were going to work when animating the scene.

Secondary Action - Dog

This dog animation includes some secondary action with the dog’s tail and the ears, which help to add to the scene than just the body moving around. This animation was straight forward to do and included some adjustments of different keyframes and editing in the graph editor so that the movements are more natural. Most of the movements that are in the animation are quick and snappy and there are some areas in-between that allow the audience to catch up to the action that’s taken place. I feel like the overall animation was accurate to the source video that aided me and I was able to add in my own movements, such as when the dog shakes its head after hitting the box and looks at it up and down. This type of thing helped to make this task enjoyable for me and for me to understand the need for secondary action and to then add in little movements to add to the scene. If I was to redo this task, I would go back and refine some of the pauses/ snappy actions and to make sure that each of them last for the right amount of time. Also, since I added some additional secondary action with the box, as the dog hits it, I would make sure that the box moves a little bit to the back to add to the realism of it.

Pose to Pose Blocking - Lamp jump

This is the blocking lamp jump for the principle of pose to pose, which required me to just key in the main poses of the jump along the timeline and to apply a step tangent on them to make it stay in the same position until the next frame. This form of animating allows the animator to get the main frames done first so that the spacing can be sorted out and then for the in-betweens to be done after that with accurate timing. I found this pose to pose jump a lot easier and quicker to do than the straight ahead jump I did earlier in the blog and this is because the straight ahead was working with each frame, which ended up taking up more time due to the timing being wrong. So, this pose to pose has accurate timing to the jump in the straight ahead one and I was able to change some of the poses to look more realistic. Therefore, this task allowed me to learn how to use the method of blocking with animation and to use my previous work as a guide to improve on the poses that I had made.

Follow Through and Overlapping Action - Cape on ball

This is an animation for follow through and overlapping action and the animation turned out well, since I had edited the different frames and checked that the motion trail worked accurately for the projection of the ball. I found this task a bit tedious to work with as first because of the number of attributes that I had to look into to get everything to start working the way I wanted them to, and due to the cape moving in the wrong way on different frames. But, I feel like I was able to get a grip on what attributes I needed to key on the frames and to make it look realistic according to the trajectory and distance of the ball jumping. This animation could have been improved by making the ball stay in the peak of its first jump a bit longer due to it dropping quite quickly and then slows down after bouncing, so this would have made it more natural. Also, the diving board seems to bounce back into place a bit too fast, which is something I would change by moving the keyframes. Although there are some small details that could be improved, this animation turned out better than I expected and therefore I was able to use the two-part principle efficiently to make the movements of the cape appear accurate.